May 5, 2012

The Death of Bally

Remy & Ana: Episode Three
Episode 2: The Sasquatch of Kind


As he was dying from a gunshot wound, the bald sasquatch's last thoughts began to surge out at everyone.  "Why did you do that?  How could you interfere with an honorable dual between men?  What human did this?"

"It was me," Remy thought calmly to the dying king.  "I did it because I realized it was my right to do so."  (Lucky looked at his brother in horror.  He could only make out a faint silhouette in the shadow beneath the trees, and it stood eerily still.)  "You betrayed Grieve, who had kept his promise to you and believed you to be dead.  How can you go back on your word, and banish him?  That makes no sense."

"Are you nuts!"  Lucky whispered.

Bally put up his head and whistled in a loud, low, whale-like moan that washed over miles of countryside.  Then he said: "You are...  You are--No, it can't be!  Thank you!"

Then he died.  All of the sasquatch flooded into the meadow silently, the nude corpse of Bally soon disappearing.  The hair of the quickly moving crowd was colorless in the moonlight.

"Why did you do that?" Lucky said.

"I...  I don't know," Remy said.  He looked at the inscrutable ground.  "I don't--I just don't know what came over me.  It was like I--I don't know."

Lucky came up close to him and said, "Remy," as if about to tell him something very important.  Then he instead slapped him hard in the side of the head so that it went into the tree beside him.  Meanwhile, grief and elation swept through the minds of those around them and were soon vanishing with the sasquatch themselves.  Grieve approached the humans alone.

"Remy," he said.  "I am now the king of Kind.  This is because of your acts.  And although I do not understand what has happened here today, I am still grateful to you.  There is something about you, something that is mysterious and strange.  The people of Kind have also taken to you, and welcome you into our city.  I will assist you in retrieving your wife from the evil Raven King Von Neumann."

"I thank you very kindly, Your Highness.  And excuse me for asking.  But did you just call Von Neumann the Raven King?"

"Yes.  This is the name by which we know him."

"Uh-huh," Remy said.

The forest was silent and empty.  Grieve now turned and guided Lucky and Remy deeper into the woods.  Their thoughts turned sleepy and idle from the long day as they moved swiftly back.  They came to a black hole piercing from a small dark outcrop where the trees ended, and they entered it.  They walked for a ways underground down a pitch black corridor, and the floor gradually smoothed out into a level path.  Torch lights began to appear far up ahead.  Quiet watery whistles indicated the presence of sasquatch parents putting their children to sleep.  Grieve turned down a side hall and then brought the two humans into a small candle-lit chamber with smooth, rounded granite walls.  There was no door, and a circular open vent shaft imported a mixture of cool and warm air from some distant place via the floor.  It then reappeared in the ceiling, traveling up to other chambers above.  There were two beds made of neatly groomed and stacked fir limbs, and woolen blue blankets were also provided.

"You will sleep here," said King Grieve.  "And in the morning I and my troops will go with you to Vancouver Island."  The humans were soon deep in sleep and enveloped in the idle dreams and late-night thoughts of Kind.

*     *     *

They were awoken early by the soldiers in a nearby barrack.  The soldiers' psychic energy prodded and muscled all of the civilians in the neighboring district.  Being underground, the brothers were disoriented amidst the bustle of exercise and focused procedures.  Remy immediately became alert, standing out of bed.  For a moment he expected to be attacked but found that there was no one around him.  Human came in.  "Good morning," he said.  "I hope the barracks didn't alarm you."

"What time is it?" said Remy.

"I do not know your time.  It is well before sunrise.  You are being summoned to the central hall for breakfast now.  You must hurry."  Human would not give them time to bathe or change.

"What the hell?" said Remy.  "Can we at least, you know, go to the bathroom?"

Human silently rushed them to a wide corridor.  It was separated into four lanes by three long straight canals, each wholly enclosed with a plastic-like transparent substance.  The humid air enclosed in the canals slowly dribbled into small pools on the floor from small round openings.  Lucky, looking through one of the misty portholes, discovered a marsh dense with flora.  The muddy water idly flowed from one end of the long chamber to the other.  Two or three sasquatch off in the distance squatted above open portholes in the marshy canals.  Human left the two humans alone there.  Once relieved, they were taken to quickly wash their hands and faces in an artificial waterfall separated from this chamber.

Human then immediately set the men on top of two large saddled mammals without giving them time to step back and dry their hands.  Their steeds resembled boars or tapirs, but they were large, pale, and blind, with tremendous mole-like noses.  Their squat legs conveyed the humans through Kind at a fast clip.  The humans watched an array of vistas pass them from their woven saddles, the cool artificial wind blowing in their hair.  Some chambers were filled with merchant stalls overloaded with fruits, vegetables, tubers and mushrooms from all over North America.  Then they opened up into vast underground expanses, like tertiary and quaternary levels of land.  One vast chamber was lit with bioluminescent fungi covering the broad flat floor and high ceiling.  The shape of the room, though all glowing and sparkling, was forest-like, occasionally opening into flat rectangular plazas.  The "trees" were limestone columns that had apparently formed from ancient clusters of stalactites and stalagmites.  Originally, however, they were only artificial metal beams.  Small predatory worms living along the ceiling produced stars by means of small electric discharges inside of their transparent bodies.  Occasionally, one of the stars would blink out and then slowly spark back up again like a phosphorescent lamp.  Along the floor were tents beside open fires and a winding creek glimmering gold from the flames.  In one place a camp on a high steppe could be seen from over a mile distant.  The column of smoke from its fire spread out over the land and then turned into a wisp being pulled quietly into a black maw high above.

This chamber was joined via an unlit descending tunnel to an even larger expanse of countryside, with only a few wide towering columns of limestone.  Its tremendous pale ceiling looked like a long elliptical sky.  It was lined with white plaster, and its shadowy dome looked as if pierced with bullet holes.  With its traces of fog, fragrant fields, and subdued lighting, the chamber had the feeling of a world enclosed inside of a room.  This, Human revealed without words, was in a sense true.  The chamber had at one time been a natural pocket within the earth that had formed when an aquifer dried up several million years prior.  This new chamber was completely enclosed from the rest of the earth for some time.  The sasquatch then expanded it and re-purposed it to extend the Kindish farmland.

The crops received their sunlight by hand-operated light canals, which fell from above and then danced in slowly turning zig-zags over the floor.  Bright beams of sunlight were projected through mirrors and large glass lenses from deep light wells bored down from a wilderness area far above.  Up close, the mirror behind the lens was about fifteen feet across and made of a polished aluminum-like metal.  It was mounted in a device very similar to a gyroscope in its workings, this in turn mounted in the tunnel wall.  Along the mirror's circumference were handles operated by two sasquatch wearing reflective overalls.  This was their job from sunset to sundown.  When one canal stopped working, another one soon lit up a few yards away.  Other mirror-farmers were busily adjusting and remounting mirrors all over the floor in order to broadcast as much light across as many crops as possible throughout the day.  Their movements had all been carefully choreographed for centuries.  Some were even trained in the art of psycho-luminescence, and would pace up and down, handling and nourishing the plants with low-level sun-like light emanating from their bodies.  Many of these psycho-luminescent farmers wore arrays of mirrors along their sides to further disburse the light.  All were constantly busy attending to the plants.  The most common crop was a dense eggplant-colored grass grown in patties.  The humans also saw rows of a small lettuce with curly leaves of a dark purple color.  Large bunches of small leafy heads grew from the center.

They ascended a series of winding untended tunnels full of switchbacks and trickling strands of water.  This shortly led to an upward slanting road with sasquatch milling along beside small herds of pack moles.  The humans had entered the core of the city, moving along a wide crowded thoroughfare that spiraled through a grid of streets toward the city center.  It seemed they had been in a forest of trees before, and now they were in a quietly moving forest of giants.  Along the ceilings were small crystals emitting brilliant light, sometimes alternating with what appeared to be pale luminous orbs of energy that floated in the air.

Without talking or turning his head, Human showed Lucky and Remy several dozen mental maps and images.  Kind's incomprehensible infrastructure included a matrix of empty chambers extending to a half a mile above it.  These had been abandoned by the sasquatch for millennia, so no one knew what dwelt inside of them.  Their sole purpose was to redistribute underground pressure and water flows away from the ceilings of Kind.  The city itself was full of wide corridors with subtly tapered walls.  Thousands of sasquatch were out on foot, their mass of consciousness overwhelming the two foreigners.  Their thoughts were like a stream full of billions of shape shifting fish.  It was difficult to discern one train of thought for long.  The moles navigated them quickly through the crowds.  Openings everywhere indicated homes, buffeting them with the smells of open fires, boiling fungi, cured salmon, burning spruce, and arboreal herbs.

Human guided them to one of the eight gates of the palace.  It had tremendous crystal doors, each around a hundred feet high and fifty feet wide.  There they were led down a silent hall, its two walls angled to meet each other high above.  A sasquatch guard was posted every thirty feet, absolutely silent, along each wall.  At the end of the hall another enormous crystal door opened as they came near, this one triangular in shape.

"Welcome," said the king in a distant echo.  He was not yet visible amid the grandeur of his breakfast hall.  Thousands of sasquatch gathered, some wearing wreaths around their necks and arms.  There were several hundred chandeliers hanging from the vaulted white ceilings and lit with oil lamps.  One of these chandeliers was the size of a small bedroom.  There was a table in the center of the hall that was about a quarter mile in length and fifteen feet across.  It was covered in a single silken white tablecloth.  Among the hundreds of waiters were those who emerged from passages in the middle of the table, setting out and pulling in trays.  A choir stood in a large enclave off to the side, whistling in complex gentle harmonies that permeated the chamber.  Their vocals even lilted over the gentle collective clamber of food being eaten without the noise of chat.

"Please come and sit beside me, humans," the king said, sitting on a small distant throne at the head of the crowded hall.

The humans rode their moles all the way to the far end where the moles were finally carted off by two servants.  The humans suddenly felt as though they had dressed for the wrong occasion, but the sasquatch around them all began reassuring them in a friendly non-verbal manner while still engaged in their own conversations.  The men set their bags aside on the floor.  Remy sat to the right of Grieve, and Lucky to the left.  Beside Remy was Human, and beside him was his wife, also named Human.  Both were bedecked in deep green and brilliant red wreaths.  The wreaths each had two tails that also wrapped along the length of the arms.  Beside Lucky sat the courtesans Winter Squash and Kale, who each wore multiple wreaths of the same colors.  The wreaths were made out of a thick fiber resembling bark.  Also spun into the fiber was dark green foliage, and parts of the bark had been died using berries.  The fiber was woven into a plant-like tube, but both the plant used and the plant being depicted were completely foreign to the humans.

They were served a variety of fish, game, steamed tubers and berries.  The sasquatch also made a blackberry jam that was served over a fermented and baked cereal.  They ate in a formal human style using stone plates, carved wooden forks, and stone knives.  There were incredible amounts of food because this breakfast was a celebration of King Grieve.  His courtiers, courtesans, knights, mistresses, concubines, servants, and many other subjects were all present, enjoying the kingdom's wealth.

"Right now," Grieve said, "My men are preparing to leave into battle."

"Your highness," said Human, "I will bring dynamite and natural gas.  I will use these to flush out the Raven King's nest.  Their guns are useless against ours.  In my reckoning, sir, we will hardly need the army at all."

"You are a wise general," Grieve replied somberly.

"Thank you, sir."  He hurriedly finished the yogurt and syrup that was served as a desert and went off to join the troops.

"Your Highness," Remy said after a minute.  "How long does it take to get to Vancouver Island from here?"

"We will take the Sasquatch Highway.  This will take us to the water by tonight."

"Where is that?"

"It is underground."  The king took a large mouthful of cured fish.  "Then we will cross the water, which will likely take another day."

"I thank you kindly for helping us in this matter, sir."

"We have wanted to stop the Nazis from invading the mainland since the end of your war.  They are the main reason that Kind even has an army.  Besides this, it is a small favor for a friend, Remy."  Remy marveled as the king ate and talked at the same time, and the king quickly became intrigued.

"Please," he said.  "Why is this so strange to you?"

"Well," Remy explained, "since humans talk using our mouths, we talk differently if we're eating or trying to chew.  So we don't talk and eat at the same time."

After he mentioned this, there was a mental commotion from the end of the hall.  "What is happening?" The king shouted mentally.

"There is a human disguised as a sasquatch!"  Two guards approached quickly, holding the man.  The head of his disguise had already been removed.

"Remove your costume!" Grieve commanded.

Standing beside Grieve as he sat on his throne, the man removed his costume.  He used a zipper on the interior of its chest.  He soon only wore boxers, an undershirt, suspenders, a holstered gun, a wallet, and socks.  Grieve examined the wallet's contents while one of the guards dismantled the man's gun.  Human, without moving, began probing the man's mind silently.

"Ah, he is from the Central Intelligence Agency," Grieve declared.  "We will eat him."

"You will what!"  Lucky yelled out loud.

Realizing he had broken the lilting calm that filled the chamber, he bent down his head.  Over the next few seconds, he broke out in goosebumps and began to feel queasy.  He gradually sensed that his mind was being overloaded, but he could not understand why, and his whole body tensed up.  All of the thousands of sasquatch in the hall were bearing down on him psychically.

To be continued.


Mystery 13.3

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April 28, 2012

Encounter at Farpoint

A Play

Characters


Jamie - a friend of Cassidy and DJ
DJ - the contactee
Cassidy - DJ's housemate
Jean - Cassidy’s former partner
A Space Being - a space being


There is a house adjacent to a porch and yard with a walkway that leads offstage.


Scene 1

Jean and Cassidy enter on the walkway, walking slowly and silently up to the porch.  Cassidy gives Jean a brief hug, and Jean retreats a step as Cassidy is doing this.

Beat.

Cassidy:  Why?

Jean:  I’m sorry.

They stand silently for several long beats on the porch.

Jean:  I better go.

Cassidy:  Bye.

Jean:  Bye.

Jean exits quickly.  Cassidy watches after Jean for a beat and then heads inside.


Scene 2

Jamie and DJ are inside.  Jamie is looking in the fridge in the midst of talking to DJ, who is seated at the table and eating.

Cassidy:  Hey, guys.

Jamie and DJ:  Hey.

Jamie continues talking.  Meanwhile, Cassidy sits down at the table with head bent down, and stays this way.

Jamie:  ...Yeah, but anyways, it was kinda stressful.  But I did finally manage to leave the store, and I got everything I wanted.  I got eggs, and I got bread, and I even got two cantaloupes.

DJ:  What?

Jamie:  What?

DJ:  What did you say just before I said “What”?

Jamie:  What?  What do you mean?

DJ:  What do I mean by what?

Jamie:  I mean, what did the word “what” mean?

DJ:  Uhh, which “what”?  I said several “what”s, and each of them meant something different.

Jamie:  I mean the “what” that--the one that you said just after I said something.  The first “what”.

DJ:  Oh...  That  meant, like, “What did you just say?”

Jamie:  What did I say when?

DJ:  Just prior to me saying “what”--the time when I meant “What did you say?”

Jamie:  Oh.  [Beat.]  Well, I was talking about how I had trouble with the check stand clerk, and--

DJ:  No after that.

Jamie:  After you said “what”?

DJ:  No.  Before I said “what”.  But after you talked about the check stand clerk.

Jamie:  Oh...  Um, I was talking about how it was kind of stressful?

DJ:  No, after that.

Jamie:  Oh...  Um, I was talking about how I finally managed to leave the store...?

DJ:  No.  After that.

Jamie: ...and I got eggs?--

DJ:  No.  Keep going.

Jamie:  Uh...  And bread...?

DJ:  No.  Keep going.  It wasn’t that.

Jamie:  ...and two--

DJ:  No, that’s not it.  It was after that.

Jamie:  ...cantaloupes?

DJ:  Yeah, what was that?

Jamie:  What was that?

DJ:  Yeah.

Jamie:  What was what?

DJ:  What was the word you said just before I said, “Yeah, what was that?”

Jamie:  What?  What do you mean?

DJ:  I mean just that!  What was the word that you said just before I said, “Yeah, what was that?”

Jamie:  But what did you mean by “that”?

DJ:  By what?

Jamie:  By the word “that”?

DJ:  Which time?  I said “that” like a whole bunch of times, and it was always referring to something diff--

Jamie:  When you said, “Yeah, what was that?”

DJ:  You mean when I said, “Yeah, what was that?” or when I was quoting myself saying “Yeah, what was that?”

Jamie:  God!  No!  The time when you were saying it.  For the first time.  Before you had quoted that particular utterance.

DJ:  Oh...  Wait.  What about me saying, “Yeah, what was that?”

Jamie:  What did the word “that” mean in that utterance?

DJ:  In the statement that I just made?

Jamie:  No!  In the statement you made after I said “cantaloupes”.

DJ:  Wait.  Which time you said “cantaloupes”?  Was it when you were talking about how you went to the store?

Jamie:  No, it was when I was describing what I had said at the time when I was talking about how I went to the store!  Jesus!

DJ:  What about that again?  When you uh--

Jamie:  After I said “cantaloupes” and you said “Yeah, what was that?”  The first time that you uttered the phrase, “Yeah, what was that?”  What did you mean by that?!

DJ:  Oh.  Oh, okay.  I was referring to the word you said just before I said, “Yeah, what was that?”

Jamie:  Hold on a second.  You mean, the time when you said, “Yeah, what was that?” and it was just after I had said “cantaloupes”, right?  Not the first time I said “cantaloupes”, but when I was talking about how I had mentioned cantaloupes.

DJ:  Yeah.

Jamie:  Hm...  [Beat.]  Uh...  “Cantaloupes”.  It was the word “cantaloupes”.

DJ:  Oh.  ...Oh.  So it was "cantaloupes" that you said.  ...Okay.  But what was it that you said when you were saying that?

Jamie:  What do you mean?  When I was saying what?

DJ:  When you were saying "cantaloupes"?

Jamie:  Hm...I'm not sure.  Oh!  It was "cantaloupes".  I was saying "cantaloupes" when I was saying "cantaloupes".  [Sighs.]  Finally.  I think we've resolved that and now--

DJ:  Aw!  Aw!  When are you gonna--I mean, for God’s sake!  Is it ever gonna end?  [While exiting the house:]  I can’t--I just can’t take this conversation anymore!  I mean, Jesus!


Scene 3

DJ, now standing out on the porch, pulls out a pack of cigarettes, and then a lighter, and then removes a cigarette and begins lighting it.  The lighter fails to light.  A spaceship slowly descends from above the yard where it comes to rest while DJ is regarding it.  A door on the spaceship opens, and a space being begins to exit.  But as it is doing so, the stage is covered in darkness, and all is lost to view.


End.


Appendix:
Possible Repetitions of Scenes 2 and 3


[Character Scheme Key: 
Scenes 2-3: CJD-DS (Cassidy enters on Jamie and DJ - DJ sees Space being.) (Jean = 2.)]


It is possible to continue the play in the following fashion: 

Scenes 4-5: DCJ-JS (DJ enters on Cassidy and Jamie - Jamie sees Space being.)

The stage re-emerges into view after a beat.  The spaceship and spaceman are now gone.  DJ finishes smoking a cigarette.  DJ puts the cigarette out and re-enters the house.  Cassidy and Jamie are inside, and they are re-enacting the play starting from the beginning of Scene 2.  However, now Cassidy assumes Jamie's former role and Jamie assumes DJ's formal role.  At the end of the scene, it is now Jamie who leaves frustrated.


Scenes 6-7: JDC-CS (Jamie enters on DJ and Cassidy - Cassidy sees Space being.)

This can be repeated a second time, now with Cassidy filling DJ's original role, DJ filling Jamie's original role, and Jamie filling Cassidy's original role.


Scenes 8-9 (a): SDJ-J2/2DJ-JS (Space being enters on DJ and Jamie - Jamie sees Jean. / Jean enters on DJ and Jamie - Jamie sees Space being.)

If it is repeated a third time, Cassidy should be mysteriously replaced by either Jean or the space being when the stage re-emerges after the end of Scene 3.  In this fashion, Jean now enters Cassidy's former role.  (In order to avoid monotony, Jamie and DJ should reverse roles in this repetition.)  If the space being is chosen, the original role of the space being in Scene 3 should be replaced by Jean.


Scenes 8-9 (b): 2SJ-JC/2DS-SC (Jean enters on Space being and Jamie - Jamie sees Cassidy. / Jean enters on DJ and Space being - Space being sees Cassidy.)

In an alternative form of the third repetition, Jean still enters the original role of Cassidy, but the original role of either DJ or Jamie is mysteriously filled by the space being.  In this version, the original role of the space being should be replaced by Cassidy, and the play should conclude at the end of Scene 9.


Scenes 10-11: S2D-DC (Space being enters on Jean and DJ - DJ sees Cassidy.)

A possible fourth repetition (following only from Scene 9 (a), and only if Cassidy was replaced by Jean) may begin with the space being mysteriously replacing Jamie, while Jean fills Jamie's original role and DJ is in the same role as in Scene 2.  In this case, the original role of the space being should be replaced by Cassidy.


Scenes 12-13: CS2-2D (Cassidy enters on Space being and Jean - Jean sees DJ.)

Finally, in a last possible repetition, the space being may fill Jamie's original role while Jean fills DJ's, Cassidy is again in the same role as in Scene 2, and DJ fills the original role of the space being.



Commentary 9

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April 25, 2012

The Sasquatch of Kind

Remy & Anna: Episode Two 



As Remy got closer to the saucer, it stopped moving.  He could see Von Neumann growing frustrated inside and sitting down at a control panel while inaudibly screaming.  Remy jumped up into a maple tree and took off running down a low branch too small to support him.  Leaping, he managed to get on top of the saucer.   His arms and legs were sprawled out over it as it shimmered from metallic to transparent again.  Not knowing what else to do, he started banging on the temporarily glassy surface.  It seemed thin but very strong like steel.  It didn't give way.  It began to cloud up with a murky brown and it smelt faintly of sulfur.  The saucer remained mostly still while Remy tried to keep grappling it.  It turned very hot and became a bright white color.  At the same moment it turned on its side, leaving Remy falling into the trees.

Lucky watched as his brother tumbled twenty feet and then down among the high cones of Douglas branches while the bright saucer was still and quiet, lighting up the forest like a second sun.  It had stopped several miles away.  Lucky took off running toward his brother.  Meanwhile, Von Neumann and Anna were watching the scene from inside and a tremendous vulture approached them.  He began scratching on the sides of the ship.  The saucer pilot laughed calmly.  "What does this bird think he's doing?  It's incredible."

"He's trying to save me!"  Anna cried.

"Do you really believe that?"  He said and laughed calmly, still at the controls.

The vulture started to tear pieces of the ship loose with its talons and beak.  The calm wind outside poured into the craft.

"What!"  Shouted Von Neumann.  Soon the vulture was inside, attacking the man.  So he pulled out a handgun and shot it in the belly.  It careened down towards Lucky.  The craft shot off in the next moment.

The large bird could not manage to land on its feet, and instead stumbled into an awkward laying position beside the two brothers.  Remy lay with several broken ribs and a bone sticking from his leg, and Lucky was busily attempting to mend some of the wounds before contriving to carry the man back.  After a few minutes, Lucky shot the poor vulture in order to put it out of its misery.  Then he splinted and bandaged his brother and carried him on his back to the campsite.  As they were eating dinner, Remy was silent.

"These are some good beans," Lucky said, trying to coax the man into talking.

After a long pause, Remy said, "I'm gonna get Anna back alive, and I'm gonna kill that man."

The two were silent for the rest of the night.

*     *     *

They drove further into the woods early that morning, and Lucky carried Remy the rest of the way to where they would eventually build a cabin.  Lucky built the new campsite while Remy's leg made it impossible to do anything but recuperate.  The next day, Remy made himself a cane.  Lucky began gathering and cutting young timber for a cabin over the next few days.  Toward evening he would go hunting.  One day, the site was approached by an old man wearing burlap shorts, long gray hair and a pale, hairless face.

"Well, hi," Remy hollered.  "Where did you come from?  New York City or Timbuctoo?"

"I'm from Rayon," the man said some time later, after he had walked up to Remy.  He spoke in a weak and wistful voice.

Remy hesitated, trying to recall how he recognized that name.  He remembered and then became suspicious.  "Rayon?  How do you know this name, old man?"

"I've just told you.  It's because I'm from Rayon."

"Then how did you get here?"

"I came here by space ship."

"Oh, alright.  Then what is this Rayon like?"

"It is a great nebula.  Listen!  I must interrupt this query of yours.  If you are to rescue Anna, you must enlist the help of a man named Grieve.  Grieve is from the great kingdom of Kind."

"Kind?  Where the hell am I supposed to find a place like that, old man?"

"You will find it soon."

The old man departed.  Later that night, when Lucky returned from hunting, his brother had packed their things and cleared the campsite of everything but the fire.  Then he made some fish from that morning.

"What are you doing?" said Lucky.  "Where's the camp?"

"We gotta go find my wife."

"Now?  At night?"

"Yes."

They discussed their plan--or lack thereof--briefly over dinner and then departed.  Lucky had brought night vision goggles in his truck, so they were both aware of all of the animals around them.  They walked through the green forest in silence for hours, only stopping to eat.  They slept for five hours in the morning, had sandwiches, bananas, and coffee, and moved on.  Over coffee, just after twilight, Lucky started tapping on Remy's face.

"What the hell are you doin'?"  Remy said.

"Your skin.  It's, uh, all blue."

Remy looked at his hand, which was also a light blue color.  It was similar to the color of the sky.  It was not a new hue to his natural skin color.  It was as though this was his natural skin color.  Lucky watched his brother for a minute, because he couldn't see his face.  Remy was bent down looking at himself.  When he looked up at Lucky again, his eyes were wide.

*     *     *

That afternoon, after they had hiked some ways, they spotted a tall hairy animal standing in the woods.

"What is it?" whispered Remy as they went towards it from behind a group of shrubs.  It moved away from them slowly and then stopped at a stream.

They walked up near it.

"Hello," it said.

They stopped and looked at each other.

"Hello?" said Remy.

The hairy animal turned toward them.  He stood around eight feet tall.  He was an erect-standing primate with huge flat feet, a domed head and long brown hair with ruddy tips covering his body.  His eyes were deeply sunken.  He had a large flat nose and large wide lips like those of a chimpanzee.  He also wore a polished steel breastplate, leg armor on his thighs, and a helmet.  Beside him, a long spiked metal pole was laid on the ground with his sword.

"I am Human," he said.  "I am a Sasquatch."  As he spoke, his large mouth did not move but stayed in solemn repose.

"You are Human and you're a Sasquatch?" Remy said timidly.

"No.  My name is Human.  But I am a Sasquatch."

"Do you live here, Human?"

"Yes.  I am from the nearby underground city of Kind, and I am the counselor to His Honorable Grieve who is the former ruler of Kind."

"Well uh...it's a pleasure to meet you, Human," Remy said, coming close to the legendary beast and putting out his hand.  Human gave him a large leathery hand with a gentle grip.  With his other hand he held a five-foot-long salmon.  "My name is Raymond and this is my brother, Nathaniel.  Everyone calls him Lucky.  But anyways, kind sir, we were told that your ruler, this Grieve, could assist us.  You see, my wife has been kidnapped by an evil casino mogul from Las Vegas named Reinholdt Von Neumann."

"Grieve may indeed be able to do this, Misters Raymond and Lucky.  Von Neumann does not live in Las Vegas at all, but in the secret enclave known as the Hidden Reich, in Vancouver Island.  It is a stronghold of technologically advanced remnants of the Nazi Party.  We have had numerous interactions with the Nazis, but none of them have been good.  Some of these people believe we are animals, as many of you do, even though they know our history and our culture.  Fortunately, most still do not know we exist.  Please come with me and I will introduce you to Grieve."

"Alright," Remy said.  The two followed him across the stream and into the woods a short distance.

"By the way," said Lucky, "How are you speaking to us, Human?"

"We Sasquatch are telepathic.  Initially we came here to Earth one hundred thousand years ago.  We are far more advanced than humans.  But we remain hidden from you for the most part.  We do this by using neurologically based technology, which the humans are far from imagining, let alone grasping."

"That makes sense."

They soon came to another group of sasquatch, and Lucky and Remy noticed that they were all very quiet much like themselves.  Grieve had a small temporary encampment of long, tall, narrow green tents extending into mezzanines and foyers in the understorey.  There were sasquatch courtesans carrying baskets on their heads.  There was a battalion of sasquatch soldiers marching.  Strapped around their shoulders were small, black, tube-shaped weapons.  The minds of the people about their daily jobs were very quiet and focused.  They were disguising their thoughts to blend in with the forest's psychic field.  Due to their long hair, few of these giants wore clothes.  Human's servant approached him:  "Sir, Mr. Grieve would speak with you."

Grieve kneeled in a small hut meditatively drinking what appeared to be wine from a bowl.  Like Human, he appeared strong and youthful, though the top of his head was mostly bald and red and he seemed much shorter than the others.  Human bowed before him.

"Hello, Human," he said, directing his thoughts at only Human and no one else.  "Who are these people?"

"They are friendly visitors from the U.S.," Human said, bowing before Grieve's feet.

"Hello," said Remy.

The two humans were beckoned to sit in front of the ape.  Grieve was no more than seven feet tall, but he still towered over the men as they sat with him on the floor.  He had a fine, nearly invisible silken string tied around his left shoulder like a sash.

"Let me tell you a story," he said.  "Long ago, the ruler of Kind was a man named Bally.  One day, Bally was told that a giant from a cave was terrorizing some sasquatch fishers.  The giant was fifteen feet tall and had horns growing all over its body.  It looked like an ape, but it was also plagued with mange so that it was bald on various parts of its body.  It was disgusting, and it had a variety of exotic parasites, not like ones we have seen before.  It ate livestock, entered our caverns, and ate some of the people.  So Bally and I pursued the demon into another cave, in Washington state.  The brave king Bally entered the cave alone, and he told me, 'If I should die, return to Kind, dear Grieve, and rule in my stead.'  Then I waited there for some days.  Finally, I heard the king screaming as though he had just been killed.  Then I saw the demon walk out of the cave, roaring at me, with blood dripping from its mouth.

"So I fled, and I went back to Kind and ruled fairly for seven years.  What I thought was that Bally had died.  Indeed, Bally had not died, human friends.  He had in fact pretended to die, so as to sneak up on the monster from behind.  But this approach failed.  The monster held the poor king captive for the entirety of my reign, torturing him.  Finally, Bally escaped and killed the monster by causing it to fall into a pool of sulfuric acid.

"Then when he returned and found me on the throne, he became enraged at me!  He said, 'You treacherous monkey!  If you do not make to leave these caves at once, I will kill you as you stand here!'  And so, a year ago, I was banished to the woods, like you are now banished, Remy.  Meanwhile, King Bally has now also set out in a fit of blood lust to hunt me down.  So I must always be in hiding."

"Your Honorable Mr. Grieve," Lucky said.  "I do believe that if it was Remy or me in this position, that we'd go after this Bally and call him to a man-to-man fight...so to speak."

"This is a wise idea, Lucky.  Human: Go at once to the king and tell him that we shall fight each other today."

"Yes sir."  They could only quietly hear Human from behind.  He had left the tent unnoticed some minutes ago.


*     *     *

Hours later the two human brothers had sat down to eat some beans when they noticed all of the tents quietly collapsing into sticks all around them.  Within a matter of minutes, all signs of civilization were dissolving and there were less and less sasquatch to be seen.

Remy and Lucky hurriedly packed up and rushed off after two sasquatch they sighted in the distance.  For a half an hour, as dusk began to spread out over the trees and form a deep shadow over the forest floor, the brothers ran behind the colorless moving shapes.  Finally, they reached a small clearing where the moon rising in the dark grey sky illuminated grass and wild flowers.  There were hundreds of sasquatch everywhere.

In the middle of the clearing, Grieve faced a pink hairless opponent.  The sasquatch little resembled a human without its hair, and more a gorilla that had learned to walk the way humans do.  It was bedecked in bronze armor and wearing a broadsword that was the size of a human.  The creature was over nine feet tall.  Grieve had an even larger sword, but he also wore no armor.  A short peel of clear high-pitched whistles washed over the woods for several miles, but the thoughts and throats of the creatures hidden everywhere were soon quiet and bent on the two sasquatch who silently prepared their own minds for battle.

The two then began to fight.  Their swords were very long and broad.  When one hit the ground, it made a deep thud and gouged out a cup of dirt.  They swung the heavy weapons about their heads like large clubs, sometimes slapping each other hard with the broad flat sides of their blades.

After many deflections, Grieve sliced off a large section of Bally's orb-like suntanned shoulder.  Bally then pinned him at the belly against a tree.  The sword went deep and made a fold in the skin beneath, but it did not appear to break Grieve's flesh.

At that moment, Remy took aim with his shotgun and fired at Bally, hitting him in the stomach.  The bald sasquatch stood motionless for some time, but everyone could feel his shock and the pain in his belly.  It moved through the forest in waves that even the humans could feel.  A black bar appeared all along Bally's enormous leg as blood gushed from his side into a deep shadow around his foot.  He stumbled backward, slipping on his own blood.  Then he fell to the ground, shaking the forest floor.

To be continued.


Mystery 13.2

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April 21, 2012

A Report on the UFO and its Power



The following is the sole surviving fragment of the barely explicable UFO report allegedly from 1952.  It was written by an anonymous Air Force colonel who was at one time in the '50s or '60s stationed in the ATIC at Wright-Patterson Air Force Base.  The fragment consists only of chapters one and two.


1

The UFO that can be followed is not the fixed and unchanging UFO phenomenon.  Also, the UFO that can be identified is not the fixed and unchanging UFO phenomenon.  Unidentified, it precedes the creation of our planet and the universe, whereas identified, it is the female progenitor of all known phenomena.  Thus, one observes its nature when always detached from physiological/psychical urges, but one observes its manifestation when always experientially attached to these physiological/psychical urges.  The two are produced as the same phenomenon, but they come to have differing identifications.  The phenomenological wholeness is said to be beyond what is known by science.  A scientific mystery of mysteries, the Watergate of alien disclosure...


2

When humans of our world perceive beauty, then the opposite of beauty is psychically manifest.  When we know the moral right as the moral right, then terrorists are psychically manifest.  Thus, phenomena that exist and phenomena that do not exist construct each other.  The scientifically rigorous and the pseudo-scientific mutually cause the other to obtain.  Long wavelengths and short wavelengths of radiation put each other in the visible range.  High frequency and low frequency EM fields support each other.  Instrumentation and vocalization obtain musical harmony by mutual cooperation.  And the front of this report and the back of this report are both sequenced as following each other.  Therefore, Extraterrestrial Biological Entities:

   a) Manage all labor

     within detached processes of action
   b) Provide procedural knowledge w/o the use of verbal information
   c) Work with all known phenomena

     while staking no political claim to them
   d) Cause phenomena to obtain

     (However, they hold no proprietary rights)
   e) Cause actions to obtain, but make no conclusions on information that has not yet obtained
   f) Achieve their objectives

     (However, leave these objectives in the linear past)
 

It is because they base no obtained phenomenon on their achievements that this achievement is continuous.


Mystery 14


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April 18, 2012

Remy & Anna



Remy opened the motel bedroom door calmly and then gingerly stepped inside.  His keys sank quietly into the armchair unguided by his eye.  He sat down at the foot of the bed and turned on the TV with the remote, switching it to the evening news.  It was 9:38.  Remy was huge.  Sitting with an arrow-straight back on the bed and listening to the TV, he was a tall, large-built man wearing a beat-up Navy pea coat who dominated the momentarily empty room.  His head and face were wide with a huge wave of curly brown hair and dark chops.

Anna stepped inside and sat quietly beside him, wrapping her arm around his waist.

"Can we talk for a minute, darlin'?" she said.

"Sure, hon," Remy said quietly.  He switched off the TV and slipped off his shoes, rolling down into the old mattress.  Anna giggled and slunk down beside him.  But then she looked into his eyes, and they lay that way for a while.  The room was warm, musty, and silent.

"You know I love you, Remy," she said.  She spoke very softly and slowly, but her eyes began to grow brighter and brighter in the settling darkness.  "I will always love you.  I will love you until, well, until there ain't no more Earth, Moon, or stars, baby.  But I'm frightened, baby.  I'm worried.  How long are we gonna have to hide out like this?"

"Listen, Anna," he said in his deep, rumbling monotone voice.  "I love you too, hon.  And you know it.  And as long as you're with me, we'll be alright.  I will never do you wrong.  And as long as we're together and we got Lucky watching out for us, it'll be okay.  But Berry owns the company now, and nothin' will change that until he grants the title over to me."

He held her tight, and they kissed.  She wept quietly into his breast and finally gave a muffled moan: "Oh, Remy.  I miss my family."

"I know, baby.  But we gotta do what Berry wants us to do.  He is watchin' out for our lives, baby.  So we don't have no choice.  Asides, I have to obey my own duty.  To my ma and my pa, to Berry,  and to you, hon."

"I know," she whispered so quietly he couldn't hear her.

She was quiet for a long while as he calmed her.

And then she said, as if there had been no pause in the conversation, "And I got my duty to you, baby."  And she kissed him long and hard.

Then she lay back down beside him, now unable to see his face and sense his breath.  "You know, hon," Remy said.  "There's something else I gotta tell you...

"I've been havin' dreams about--I guess it's kinda like my former life or somethin'.  And I'm an alien.  I'm not like an alien in the movies.  It ain't nothin' like that.  I'm a really powerful alien.  I do not live on no planet, but I live in this great big nebula, see.  Like this Heaven, full of stars and planets, and us aliens.  But we just are there.  We ain't on none of the planets.  And I've begun to think that my brothers were also a part of this alien.  They were inside of it too.  We were, you know, like little hairs on its back.  Me and Berry and Lucky...  We were a small part of this alien, you see, hon.  Why, they are such beautiful dreams.  And the most beautiful part is you."

"Me?"

"Yup.  Because, you see, you are there.  And it would be much better for you to be there, you see.  Because if you weren't, it would all be dark, baby.  All the stars would go out, and we would not be able to find our way, you see."

"Baby, I know," she whispered.

Soon they fell asleep.

*     *     *

They were awoken in the morning by Lucky, who had purchased several big boxes of eggs, potatoes, and country gravy at the nearby diner.  Lucky was even larger than Remy was, and he had a short messy beard.

"Mornin'!"  He yelled with a wide grin directly into Remy's ear.

"Aw, Lucky," Remy said.  "What you got there?"

"I got myself three servin's of potatoes.  Too bad I ain't got no one to share 'em with!"

"Luckyyy!" Anna groaned, stretching her back.

They ate their breakfast and continued the drive deeper and deeper into the wilderness of British Columbia.  By noon, they had left pavement and were driving through nameless woods on gravelly bumpy roads in disrepair.  By four they were making a temporary camp, knowing they wouldn't make it before nightfall.

Remy had purchased a five person tent, with enough room inside for the three of them to recline and play poker in.  The foodstuffs were hung in a sack some fifty feet away.  They made a large fire place and had steaks cooking on a grill over coals.  Lucky had brought a battery-powered stereo and played old Willie Nelson and Dolly Parton tapes.

*     *     *

In the morning, Anna was sitting outside the tent, drinking some coffee and smoking a cigarette.  The fireplace was on the other side of the tent.

A small golden dear appeared from behind a tree.  For a moment Anna thought she had imagined it, but it stayed there just like a statue.  Then it began to walk slowly towards her.  She was amazed that it could even move.  It appeared to be made of solid gold, all brilliant and polished, without any seams.  It came up to her and looked at her.

"Remy!  Lucky!  Look over here!"  She yelled.

As Remy came around, the deer took off into the woods.

"Go off after it, Remy!"  she said, excitedly.

"Well, alright, hon," said Remy.  He turned and grabbed his shotgun and took off into the woods.

"Hey, where did Remy go?"  said Lucky.

"I saw a golden deer, and he's gone after it!"

"No kidding!"  All of a sudden they laughed hysterically, partly because they were confused and even a little frightened.

Remy was now deep in the woods.  He was moving quickly, but also very quietly, watching his feet and listening for movement.  Then he heard something--a large swoosh, like a crow careening a couple feet overhead.  He looked up and caught what appeared to be a man with large, black wings swooping into the evergreens thirty feet away.  Remy followed him.  Once he spotted the man a second time, he took aim and shot.  The man fell to the ground and Remy took after him.

"Who are you!"  Remy boomed.  "How did you find us!"

The man jumped to his feet and began to run, taking Remy further and further into the wilderness.  Then he turned toward him and yelled, "Lucky!  Anna!  Help!  I need help!"  Remy could not recognize his own voice, but this was the voice the man was using.  Back at the campsite, Lucky jumped up, listening.  He heard the faint cry of his brother and went to Anna.

"Did you hear that, Anna?"

"Oh, Lucky, I did!"  She said.  "You gotta go after him!"

Lucky was silent for a minute, listening and thinking.

"Naw," he said, kneeling back down close to the fireplace.

Anna came and stood behind him, smoldering, but he didn't seem to notice.

"What!" she finally said.  "You're not going to help your brother?"

"Naw," he said.  "That can't be Remy.  Remy's fine.  I know him.  He don't need our help."

"You're just going to ignore him!"

Lucky stood and turned toward her, his face becoming more serious.  "Anna," he said calmly.  "There's somethin' I gotta tell you.  There's a bunch of folks looking for us.  It's possible they know we're out here, too.  I didn't tell you, 'cause I didn't want to worry you.  But now ain't no time to split up.  And Remy does not need nobody's help, you see.  He would never call after me like that.  I know him."

Anna was terrified.  She didn't believe she was ever going to see her husband again.  She had even made him run away to his own demise.  She began weeping quietly.  "Oh, Remy," she said.   "Please come back, baby."

"Aw, for cryin'..." Lucky hugged his sister-in-law and said, "Alright.  I'll go after him.  But you stay inside this tent 'til I get back, alright?"

Meanwhile, as the winged man took off into the forest, Remy shouted, "Goddammit!"  He turned and ran with all his might back toward the campsite.  "Anna," he was whispering over and over again under his breath.

Lucky approached him running with big bounds.  "What happened!"  He yelled as he got near.

"Aw, damnit, Lucky!  You left her alone back there?"

Lucky was now standing in front of him, both men leaning forward with their hands on their thighs and catching their breath.

"We heard you cryin' for help," Lucky said.  "What do you expect me to do?"

"Aw shit!"  Remy said.  "We gotta get back there."

They ran to the campsite.  Levitating five feet over the fireplace was a golden oblate object, like a squashed egg, twenty feet in diameter.  Its top half was transparent like glass, so the brothers could see inside.  Von Neumann was there, and so was Anna, sitting before him in a chair.

Lucky and Remy were petrified.  It had all happened so fast.  They still stood in the trees, but their gaze was soon met by the man.  He was no longer dressed in a suit as they had recognized him.  He now wore black skin-tight overalls.  Remy glanced at Lucky, and then he took off toward the saucer.  "Remy!"  Lucky yelled in a strange croaking voice.  Why does my brother sound so strange?  Remy thought.  He was running as fast as he could, yet it seemed as though the campsite was miles away.  The saucer was already beginning to move away, and its top was starting to shimmer.

To be continued.


Mystery 13.1

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April 16, 2012

The Little Bug




The text below is material excerpted from the typed transcript of the synth voice Al.  Al is used to convey the frequency/bandwidth-based symbolic structure of thoughts, as interpreted in modern English.  In this case, Al was interpreting the radiative data from an earth light.  The earth light was witnessed and photographed by Mansetti and Jones from a distance.  A closer witness, Jesse Robinson, who was driving an electric car,  claimed to have witnessed a space craft containing several robot-like small pale aliens with deep purple eyes.  The light was also picked up by two automatic sensing stations that filmed the object and tracked it on RADAR.  It was then tracked leaving by an insect-type drone moving upriver, between 11:44 and 11:55.  This all occurred on July 18, 2095, between 11:15 and midnight local time along the Ohio River Valley.  Mansetti and Jones apparently witnessed the light stop the car at the same time that Robinson's car stopped (11:33-11:39).  In total there were forty eyewitnesses and seven mechanical witnesses.  Four hours later the great San Fransisco Earthquake of 2095 demolished much of the Bay Area.


"...Ah.  What is this?  It feels so nice.  So warm.  Ah.  Now it's coolMmm.  I like that.  What's behind me?  Oooh...  Darkness.  Oooh...  Outside.  Oooh.

I'm from Out There, down there, I guess, but now I'm here and it's niceNice.  Ooooh-hoo-hoo!  ...Niiice.

Oh, a tingling line.  What is that line that I have to feel?  It's over this way.  Oh, I'm getting closer to it.  Ah, here it is.  Hello.  Wow!  You are so long, and narrow.  There are more of you.  You are more than just you.  Wow.  Following you, you are like a line that just goes on and on, and you just tingle and you're so warm and nice, and you go on and on and on.  And you go up and down, and up and down and up and down and up and down and...

Ha!  What's that?  It's a light.  I can see it inside of me.  Yes.  Way out there.  It's getting nearer.  And... and it has warmth too, behind it.  I want to feel its warmthYes.  And it's going right along, right along, right along, right along, right along toward the line.  Oh!  Toward the line and along the line.  Right along the line, right along the line.  Oh, I will follow it, line.  Once it catches up with us...  Here I go!  I will be right under you line, so don't you go away.

Okay, warm little light!  I'm on you now!  You are moving fast.  Oh, but I will go just as fast.  Now you...oh!  You are moving faster!  I will still go just as fast.  No, you can't get away from me!

Oh, what's this?  I will hold it.  Ha!

There: I've got you now, warmth.  Oh.  Ooh-hoo-hoo!  Ah!  You are inside of me, warm little warmth.  You aren't going anywhere.  You cannot go fast anymore!  You cannot go at all!  What's that?  What is that, warmth?  You have another one inside of you.  Let me...it's another warm, small and--and cool too.  Let me put it inside of me.  Ah, hoo!  What's--it's all squirmy and wiggly.  It is a bug-like little thing.  What's that?

[English:]...Please.  Please.  Tell me who you are.  I'm afraid.  Why are you inside of me?  I feel--or am I inside of you?  What's going on?  Who are you?

Oh no.  You will not do your wiggly and squirmy activities, little bug.  Squish!  What the--It's, I'm...

[English:]No!  Don't do that!  Where am I?  Who are you?  Are you me now?  Am I just imagining you...?

I--I--No!  I am not you.  You are very different.  What are these jiggly little things in your wormy little body, bug?

[English:]...No!  Don't do that!  Those are my memories!  This makes no sense!  Are you me!

No!  I am not you.  You are very different.  You are from far away from me, and you are cool and annoying.  But I am from far away, Out There, in the dark!  In the dark...darkness.

[English:]...Are you...an...alien?

Yes!  I am an "aaalien", and we are much bigger and deeper, below.  And we are all together.  All one.  We are...uh...we are at peace.  We are not wiggly and squirmy, and we do not have your jiggly things--"No!", "Who are", "Are you", "aaalien"--Ew!  We don't have those, little bug!

[English:]What planet are you from...?

What?  "Planet"?  I--Stop!  I must hold you--

[English:]...Are you God?  No!!!  No!!!  Please don't do that!

Please...stop...moving!

[English:]Stop!!!  No--

There.  Okay.  Now, let's see.  Where is your warmth coming from?  Ah, it's--no...  Ah, it's down here.  But the wiggly, squirmy part is up here in this...big round thing on the top of the thing.  Hm.  No.  I do not like this.  Goodbye, bug.  I will go say hello to the line.

Hello, line!  Up and down and up and down and up and down and...Oh, there's that warm thing with warmth again, with its warm little wiggly, squirmy part that I don't like.  And it has its little lights.  And it's off!  There it goes!  Down the line and down the line and...it just gets farther and farther away!  Haha!  Bye bye, warm little warmth!  ...Up and down and up and down and up and down and up and down and up and..."


Mystery 12

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March 5, 2012

Augural Quote

"I've watched my cat, now, as he sits out on the sundeck at night; he is beyond doubt considering the sidereal world above him and not moving objects below--when he comes in the house an hour or two later he seems modified, as if he has been taught during that period and knows it."


--Philip K. Dick
The Exegesis of Philip K. Dick
Ed. by Pamela Jackson and Johnathan Lethem
New York: Houghton Mifflin Harourt, 2011


Commentary 8

March 3, 2012

Angels & Dolphins


"Some people think the future means the end of history.
Well...We haven't run out of history quite yet."
--James Tiberius Kirk
The Undiscovered Country


What follows appears to be the remaining fragments of Woody Davidson's alien revelation that was otherwise destroyed in a fire.  They were all obtained from two small deteriorated pieces of volumes, where the pages were still intact and bound together around an inch to two inches from the top edge of each book.  Other fragments exist that are smaller and cannot be sequenced, such as the existing line "...these ELF signals were being used to control the populace" or the word "Mannequin".


Fragment 1: Angels of Doom in 2012

The first larger piece of this fragment is obtained where Davidson used very, very small script by means of a mechanical pencil.  It was the first page, hence page numbers are provided.


1
...[2?]012, the Marchans thrived on desolation, the abyss, and nothingness.  They had multiplied across the lonely planets, the planets with thick atmospheres, the gas giants, the asteroids, and so forth.  And they had also taken political control of many living civilizations.  The Dead Empire had spread out across galaxies.  ...they came to Earth...reigns over...

2
...nations, by the use of secret documents, and mannequins disguised as people, sent to infiltrate and control human minds...

3
Death across the oceans, death across the continents...

4
...seven flame-coated birds dominated the sky over Washington D.C....  A man in a long black robe, his face covered by a book...the year of destruction...

5
...spoke to me...

6
...The Blessed Virgin Ma[ry] appeared there, and in other...the ghosts of the Americas...

7
...a man with no teeth.  His sleeping bag was stained with urine and blood...no one had food...she had no legs...I grabbed his cane...bread...the city smelled...human filth...

8
...matters...

9
...no end to history...death...no...

10
...no...

11
...the centuries just kept moving...end to the death...no...painf[ul]...

12
...riverboat...

13
...[?]me...animals...


Fragment 2: Death of the Dolphins


This fragment is from a stack, rather than a bound volume.  It appears to have been laid inside of the volume of the previous fragment, and its intended page sequence is unknown.


...The oceans were red with what appeared to be blood, but it was small clay dust, and the dust was covered in microscopic writing...

...the Dolphin Council...the mercenary named Conch...and they...I...

...Seven Purple Coral, ambassador to the Australian...

...sea floor was blanketed with bodies...a youth squealing with grief in the depths...

...they sent me toward the Bering Strait...

...why...

...eggs of the mothers all disappeared, and the newborns were sickl[y]...a dolphin Mar[chan?]...interbreeding with death, their genes riddled with mannequin script... igloos...seven million beached dolphins along what was once Taos, Ne[w Mexico]... Covenant of Noah...

...only the immortals survived...

...a baby...

...baby...

...the babe...


Fragment 3: Death of the Metal People

From a second volume, its page sequence is near the end of the volume.  Hence, "1" should be read as "page n+1", n being the prior page, "2" as "page n+2", etc.  The first page in the sequence was written with large "drunk" handwriting.


1
...War...

2
...Metal People...endowed with lif[e?]...Metatrono...for they had...

3
...I...in the pools...two moons...the lake was...

4
A great blanket of lava shrouded the land, causing the hills to sink...

5
...smoke billowing from every place...oceans carrying their fused floating bodies, bubbling and burning amidst fire...billows of steam...shattered motherboards...she...they turned...but...

6
...the dwellers in Zinc City...a bar with melted people...fused to the floor...  Most of them have gone insane...minds trapped in deathly paradoxes...mountains of disused vehicles...deso[lation?]...

7
...steel was taken to the nearby planet of Ghj[?]...Met[atrono?]...Vlf.

8
...[o?]ne thousand souls stored at Mklntn, in...the Metal Planet year 76,432, in the post-Earth er[a?]...

9
...the Metal People now gone, mannequins and brainless robots...

10
...Earth...

11
...smoke and ash...light...

12
...the Sl[?]...she...her.

--
The end.


Ballard, James R.  The Metalinguistics, Linguistics, and Hermeneutics of The Tulpas: Vol.1-3.  New York: Tab Man Books, 2008-2011

Davidson, Woody.  Eds. David Nelson and Rebecca Davidson.  "The Davidson Art, Documents, and Fragments: 1971-2005".  Yelm, WA: Courtesy the Davidson Estate, 2009

Foley, James.  The Davidson Incident.  Indianapolis, IN: Able Press, 1988

Herman, Jane.  The Life and Times of the Apocalypse.  Detroit, MI: Delphi Press, 1992

Keel, Joan.  "A Letter of Unknown Providence."  UFS Magazine vol. 8, iss. 12 (Dec. 1967): 972-978

Winthrope, Solomon.  Abduction Scenario: Unabridged Abduction Accounts Made Under Hypnosis, Vol. 1-2.  Cambridge, Mass: Harvard University Press, 1984


Mystery 10.5

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February 29, 2012

The Flesh Made Words

The Apocalypse of Woody Davidson: Episode Four



...Over the next 20 years, Davidson reproduced 6000 of his characters.  He also called them tulpas or hydras.  He believed that they themselves were entities like those he saw.  The text of the characters he first sketched on 2’x2’ canvases; then he would paint the ten skeleton ciphers over each other.  The first cipher was always large and black, and the latter ones each smaller and brighter.  The standard sized canvases he bound into huge volumes.  In later years, he began making characters using digital media.  Some 4000 of them were in a clear narrative sequence, and all of them had a mannequin as a central image.  The mannequins say things by sequentially “lip-sinking”, gesturing, and projecting their thoughts in textual/visual symbolism.  He also colored symmetrical words and phrases to form complex symbolic arrays.  Usually in the form of a broader image that changes from page to page, the array consists of a variety of geometric and physical relationships between objects and words.  Sometimes these arrays form whole landscapes that change when read...

...For several years, Davidson kept an extensive multi-volume diary that he used in vain attempts to recall the things he saw behind the cover of the alien book.  When he finally did remember, he described the book’s contents.  But in 2005, a house fire took most of his belongings and his life.  Only 196 of
The Tulpas and a few volumes and fragments of his diary were recovered.

--J.R. Ballard, The Metalinguistics, Linguistics, and Hermeneutics of The Tulpas: Volume 1


August 14, 1985

[From Woody Davidson’s Diary]

The memories are now rushing back to me.  I started having them in a dream.  The first I remember of the dream, the text was a fish, and it was swimming through an ocean.  And I was the text.  The text was me.  It was written on my body and in my body, and my cells and organs were all made out of it.  And I was swimming through a beautiful transparent ocean.  There were many other fish and whales all around me everywhere.  This is what is inside of the book, I thought to myself.  But I was, in fact, an angelic being, speaking to myself through my own thoughts and being.  My name was Gqua gqua.  You must remember the book, I said.  You must remember.

But then my body melted into a string.  I became a long string of text.  I was hundreds of miles long, looping through the deep waters.  I started sticking to the sides of fish and getting caught in seaweeds.  A crab bit off a large piece of me, and soon I couldn’t tell which little bit of me held enough of me to call it me.  I was just flotsam in the ocean.  And it was somewhere around this point in the dream that I could now clearly see myself looking at the first page inside of the book.  This was my first recollection of these events.  I am awake now, but I can remember the days that followed clearly, and I am sure that they proceeded as I remember them.

The first page was blank, and it was a very bright white color.  The next page was the same except that it had a dot in the center of it.  The following page said: 


The End of Humans
& the End of Life


It was written in an alien script and I had to interpret it.  It was then followed by a page containing a small circle, and the circle had four wheels spinning inside of it.  Each was fixed on a track around the center.  It appeared to be some kind of small device.  The next page was completely red.  It was a very deep red.  The next page appeared to be the beginning of the book’s text.  But the text belonged to a foreign script that looked like it was made up of complex hieroglyphs.  They were written in ink but derived from a cuneiform writing style.  There were also some pictures and diagrams.  Words and phrases were written along three spatial axes.  They were interconnected by various logical and mathematical relationships.  This was the Skeleton of the page.  I had to puzzle at it before it came alive the way the Cover did.

It appeared to walk off the page and across the desk, but this was a complex thematic pun.  “The message is on the table” the textual organism was subliminally joking.  It resembled a toad, because it was squat and green.  But it only had two very fat legs and no forelegs.  It had two jointed appendages inside of its mouth, which pointed outward from it.  These it seemed to use for grabbing things from the air.

“Who are you?” I asked the being, and we were soon having a fast-paced exchange.  I was caught in the creature’s thread of riddles that were hidden in its subtext.  As best I can translate the conversation, it went like this:

“You are Woody Davidson.”  (This was the toad speaking.)

“Why am I being shown this book?”  I replied.

“Because I am the book.”

“I don’t understand.”

“No, I understand.”

“Why are you doing that?”

“Because you are doing it.”

“Ask me a question.”

“Why don’t you?”

“Because I already have.”

“But I haven’t.”

“...You did ask a question.  You asked... ‘Why don’t you?’”

Apparently, I had won the toad’s game.  “So who are you?” it asked.

“I’m the fire watchman.”

“I’m here to explain how to enter the book.”

Enter the book?”

“The book may be entered.”

“How?”

At that moment, it jumped into the page.  It was instantly obscured by a pond that began rippling over the book.  I scratched my head at the demanding sequence of ciphers.

Next, the being behind me somehow had me approach it, despite the fact that I did not look at it, and it made no signals to me whatsoever.  Standing near it now, I could see that the strips of clay were decorated with shorthand hieroglyphics and sequences of ciphers.  The mummy made me follow it outside.  My body, as it followed the mummy, began to feel heavy.  My arms and legs were tingly and numb.  Outside of the front door to the cabin I found myself in a large dome-shaped enclosed area.  It had whitish aluminum-looking walls.  These were illustrated with large hieroglyphic infused murals.  A sunlight-like light permeated everything.  There were hundreds of other inanimate clay mummies also, and there was a large garden made out of sculptures.  I could not recognize the objects that the sculptures depicted.  I thought that they were not abstract, and that they did in fact represent real things.  But these things I could not possibly describe.

Also, it occurred to me that there was nothing living, anywhere.  Even I had turned into a clay mannequin!  I pressed my arm with my thumb, and I could see the thumbprint clearly impressed in my body.  The motions of my body were forced and disconnected from my mind.  I was completely lifeless.  I had even stopped walking.  I was simply sliding along the earth, carried along by the magnetic force of the clay mannequin in front of me.  I may as well have been dead!  Even still, I was drenched in textual information that permeated the environment.  All of it was written by being impressed or etched into clay or stone.  And it was the same kind of writings [sic] that was on the mummy.

I was taken to a small stone office that was lit with a dim light from a corner.  There was a table with sophisticated bladed tools.  I lay down on the floor and a small rounded silvery thing rolled around my body with a wooden writing tool.  It used this in a way to imprint passages of text all over my skin.  Now I was protected.

Next, the mummy who brought me here had me stand up.  On my forehead, it inscribed the word “trope”.  Instead of imprinting the text, it wrote it lightly with a fountain pen, just scraping the clay.  The word was very small—no more than a quarter of an inch in length, and placed between my eyes.  After that, the mummy took me back into the house and sat me down in front of the book again.

I was now inside of the book.­­

I walked out of the cabin and out of the domed room.  I was in the forest, just a few hundred yards from the rock at the base of the hill.  So I walked back to the real cabin.  But this time, the small men from before were there, waiting inside for me.  They were standing in a group, watching the door.

They were still dressed entirely in black with holes in front of their eyes and mouths.  They were shorter than the fireplace, which was exactly two feet high.  Their mouths had huge green lips and their heads came up to a sharp point at the top, above what appeared to be enormous jowls that extended past their shoulders.  Their enormous heads were supported by slender necks.  Their bodies were wiry, and their joints were all very smooth and round-looking.  I could see that their eyes were painted on.  These creatures were also lifeless mannequins.  The bacteria in my sink was foreign to myself and these beings.

Not only that, but I was still inside of the book.  The beings were merely characters, interacting with me in print.  And I myself was no more than a trope interacting with them.  The beings began showering me with water.  They sprayed it from small tubes in their hands.  This felt very refreshing, since my body and skin had became[sic] dry.  After that, they told me a variety of things in very quick succession, but I don’t recall how they conveyed the information.  While I met them, I know that I somehow obtained the information.  It was hidden, I think, very deep inside of the characters.

“Who are you?” I asked them.

“We are the angels of doom,” they said.  It seemed that their leader was talking, but I don’t know which one this was.  One of them held a large transparent orb about the size of a bowling ball.  Inside of the orb was a bulbous green head.  It kind of looked like a turnip.  It was made out of plastic and it had tentacle-like arms extending from its sides.

“What do you mean you are angels of doom?”  I asked them (somehow).  “What is this book?”

“It is the Vision of the End of Humanity.  You will see how all people will die from the year 2012 to over twelve million years in the future.  It is all outlined in this book.  It explains the extinction of homo sapiens in 3748, by the hyper-plagues, the day-long war, and the space conflagration.  These three events destroyed all but a handful of humans—The remainder was killed and out-bred into the new species.  Also recounted are the extinctions of homo victoria and homo neo-sapiens, in 5969 and 13,400 respectively—each by a similar deadly gene that rendered the species sterile.  This is followed by a history and end to the automata who survived the humans, and the end of the Bottlenose Dolphins.  Furthermore, the work outlines the extinction of many other advanced intelligent species, such as the moth people, stumpoids, and the fungoidal consciousness.  This book even outlines the downfall and environmental devastation of Lower Andromeda.

“This is the first layer.  Following each account in this layer are histories from the second layer.  The second layer is the layer of the mannequin people of Marcha Planet.  Our pervasive civilization exists wholly in the form of textual artifacts.  We have no life.  We are literary viruses that enforce our reality on still living peoples.  We are the ghosts of the Lords of Death 9, of the Dead Star, whose star is visible now in your Earth telescopes, though it has not yet been seen.  All of them died over 80 million years ago.  The second layer is the chronicle of the history of our artifact civilization that sprang from them.  Because we are the mannequins of the Dead Empire, we ourselves are all dead.

“The third layer is the conclusion of every account.  This is the layer of the Dead People.  The dead humans, stump people, fungi, and others.  You will live through every one of their deaths from their eyes.  You will travel to their souls’ destinations.  Some are reborn, again and again.  Some multiply into smaller parts, and even dissolve into others’ souls.  Others disappear.  Others have other fates.  This third layer is called the Maw of the Beast.  Since the book is read at such an extremely high rate, you will experience the third layer very quickly and intensively.  This is how it derives its name.  It ends every account of the three layers of Death.

“This work is an expansive encyclopedia of all experience of death in the known cosmos.  It includes all depictions of death throughout time, as well as all known forms of eschaton, salvation, burial, vampirism, necropolis, paleontology of the dead, and dead civilization—”  Right then, the information was interrupted, just like that.  I suddenly found myself being pulled out of the cabin and throughout [sic] the air.

It was nighttime now, and I was being held by the mummy in one of its large mitten-like hands.  I was still in the cabin, and this disoriented me and even made me a little dizzy.  Since I had moved, I felt that I should have been somewhere else.  The mummy had erased the “t” from my head so that now I bore the name “rope”, and then it had pulled me out of the page.  Before, I was in the cabin in the book.  But now I was in the cabin that the book was in, with the mummy.  While I had been reading, hours had passed.  The mummy threw me into bed, and then I went to sleep.

When I awoke, the mummy was seated in the chair and not moving.  It was also facing away from me.

As I recall, I continued reading the book for several more days like this.

Finally, on the fifth morning when I awoke, I quickly used my finger to write the word “nothing” in my forehead.  Once I was done, the mummy turned and walked toward me.  It carefully inspected my forehead.  It saw that I was nothing, so it walked outside.  Next, I went and grabbed the book, and I took off.  I ran outside, and it was the large domed room full of mummies again.  I didn’t stop running.  I ran outside of this room, and then I ran back  up to the real cabin on the hill, which was still right outside.  There I locked myself inside, and I slept for twelve hours.  When I awoke, the book was gone.

But I am exhausted from writing, and I will recount the rest of what happened to me tomorrow if I can.


To Be Concluded


Mystery 10.4

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